Friday, November 30, 2012

The Darkness of Home


For me, Emily Dickinson does not stand out in my mind as one of America's best poets, however, aspects of her personality intrigued me.  I have heard it said that she might have been agoraphobic.  Agoraphobia is a severe anxiety disorder in which the person affected is scared to leave their environment, such as their home, and often translates into their social situations as well.  While it is not know for sure if Dickinson was agoraphobic, I think it is clear she dealt with an anxiety disorder.  Having a bi-polar/schizophrenic sister, I felt some of Dickinson's pain in her poem "I felt a Funeral".  For me I saw a woman who is pressured to be "normal" when she clearly feels different.  Of course, in the mid-1800's there would have been no explanation for Emily's anxiety--except maybe some bad airs.

I chose this video to accompany the poem because it is a guy talking about his own agoraphobia.  There are a lot of parallels between his story and Dickinson's.  Most notably is the anxiety he has about going to the grocery store.  Dickinson eventually got to the point that she would not do her own shopping.  Instead her brother in law would take her her groceries.  Dickinson's belief that her home was somehow a sacred place, holy even, further convinces me that she was dealing with this invisible disease. 

I felt a Funeral, in my Brain, (340)

BY EMILY DICKINSON
I felt a Funeral, in my Brain,
And Mourners to and fro
Kept treading - treading - till it seemed
That Sense was breaking through -

And when they all were seated,
A Service, like a Drum -
Kept beating - beating - till I thought
My mind was going numb -

And then I heard them lift a Box
And creak across my Soul
With those same Boots of Lead, again,
Then Space - began to toll,

As all the Heavens were a Bell,
And Being, but an Ear,
And I, and Silence, some strange Race,
Wrecked, solitary, here -

And then a Plank in Reason, broke,
And I dropped down, and down -
And hit a World, at every plunge,
And Finished knowing - then -


Monday, October 8, 2012

MAD


Mad
A short story by Robert Durham

The house was cold that winter’s night as the old man sat in the lone rocker.  His bones ached with the draft that seemed to cut through brick and board, sweeping down the stairs and through the cupboards, as if it were as restless as he.  In the hearth, the fire cracked and sparked defiantly and cast long shadows that danced upon the walls.  It seemed to the old man they were speaking to him, those shadows, but of course he knew it was the wind whispering against the windows. 
            Still, he looked at the photos upon the mantle.
            Three golden-framed faces stared down at him from above the fireplace.  It seemed as if their eyes were alive, blinking back at him, though he knew it was the reflection of the flames.  Nonetheless, it felt as if they were watching him.  The face of Eleanor, the ringlets of her red hair dark within the aged black-and-white, her slender neck and pale complexion the picture of elegance.  Beside her rested the twins, Charlie and Charlene, who would have been mirrored images of each other were it not for Charlene’s long hair lazily draped across a shoulder.  Both had their mother’s red hair, and that same insufferable smile.  The lips of each of his children curled only at the corners of their little mouths, but it was just enough…just enough.
            Over the years people had inquired of the photos.  At first it was normal, a grieving widower mourning the devastating loss of his wife and children.  One-at-a-time might have been trying for any man, but all at once?  A lesser man might have gone mad with grief, but not the old man—not at all.  He stared at those three faces daily, reminding himself, never to forget.  As the years passed, though, as the years began to chisel away his sharp features and the black of his hair began to drain of its luster, it became odd to many people who knew him why he would not re-marry, why he must look upon the tragedy that had befallen his family day to day. 
“It is unhealthy,” they would say.  “There are some things one must keep in the past.”  And he would say: “I will never forget,” and then he would smile in a way other people often shied away from.  Now, in his elder years, it seemed more than appropriate to gawk at those damned pictures…at those mocking smiles.  Even now they stared at him, smiling.  It was as if they might laugh at any moment, but of course it was the shadows, playing tricks with his eyes.  The old man rubbed his eyes, yawned.  A lack of sleep might also play at his senses; perhaps it was past time to retire.
But his eyes were drawn back to his family, and the old man stayed seated. 
The sound of footsteps creaked across the floorboards, pulling the old man from his thoughts.  His eyes slid to the pocket watch already open in his clutched hand.  Almost eleven, he noted.  He had been sitting here since dinner, or perhaps it was lunch.  It mattered not.  What did matter was that his nurses would have long-since gone home, unless Nan, as she sometimes did, stayed beyond her shift to read the evening Post. 
“Nan?” he called into the quiet of the house.  “Go on home, Nan.  I need to be alone just now.”  But his call went unheeded, and the footsteps fell silent, and the old man realized that if it was Saturday or Sunday the Post would go undelivered until the morn of Monday, and the chill of the draft made his bones ache, and he looked back at his family on the mantle, and they looked back with their dumb mouths agape.
“Har!” he chortled at his own ignorance.  Of course it was the house he heard, what he had mistaken as footsteps.  Everybody knows a house settles in the cold.  It was but the house.  He looked back to his family.  Their mocking smiles!  Ah, he told himself, it was but in his mind, a suggestion played on his brain by the wavering shadows.  But no!  See how they laugh!  A new sound then filled his ears, the beating of her heart.  His wife’s calloused, mocking heart, drumming in his ears.  She was laughing at him now—Yes!  Definitely laughing!—from the mantle, from the golden crown he had preserved her in.  Her words echoed back to him, beyond the ages.
We are but from a better breed, she cooed once more, and the words sounded as if they were whispered in his ear, just a breath above the beating of her damned heart.  And, lo!  The children laugh as well!  The shadows dancing upon them transformed those innocent pale faces into twin demons.  Their laughing became growling, and Eleanor’s heart thrummed in his head, and the wind sounded as if it might break through the windows, and footsteps ran through the house and up and down the steps, and there was laughing that lasted only until it was replaced by screams of anguish. 
The old man found himself on his feet, tipping the old rocker to its side as he ripped the incessant watch from its golden chain and sent it flying.  The sounds—laughing and crying and screaming and ticking—became a maelstrom within his mind, threatening to split his head.  He stumbled to the mantle and, with one sweep of an arm, made light work of the children.  The twin frames clattered to the floor, shards of glass spinning across the wood planks. 
Eleanor was unimpressed.  Her laughing had ceased, though the smile remained curled on her lips.  Such a fair and lovely and cruel smile.  “You are no better than anyone,” he hissed in her face.  It was as if she realized at last—At long last!—the seriousness. 
And this time, it was the old man who smiled.
With one hand he tossed her into the hearth, where the flames brightened as they consumed her.  And the sound of the man’s laugh rose through the new quiet, throaty and rough, and when the nurses found him the next morn the old man was still before the hearth, curled into a frail ball upon the floor, yet still awake.  The nurses spoke of it for days, and of the smile curled upon his face, and none, not even Nan, could look him in the eyes.  Of that day, or many of those that followed, the old man could never quite recall.  And the night before his hearth seemed more nightmare than real.  Nevertheless, the old man had never felt more rested than that afternoon he awoke in the ward.  A nurse bent over a table, adjusting something there.  The old man smiled, realizing as if some weight had been lifted from him that he would never again feel those judging eyes crawling upon his flesh again.  He bid the nurse good afternoon, and she turned smiling, spouting some platitude about how pleasant it was that he was awake.
But the old man was watching the table behind her, where three pale figures stared from mended gold frames: Smiling.
“We found them after the incident…” the nurse began, but the old man was already laughing.  The sound filled the ward, and the nurse shied away.  On and on it went, that laughing, until at last his heart gave way and he slumped across the bed.  When the nurse turned him to examine his pulse, the smile had dropped from his face and, there—a look of horror replaced.  
              


Shortz-An Adaptation of The Tell Tale Heart



I found this while searching for a clip of The Simpsons' adaptation of The Tell Tale Heart.  This one is terribly inaccurate, but I added it because there was some entertainment value to it.  The Simpsons would have been better because it deals with Lisa Simpson stealing and hiding a new girl's diorama project under the floor boards of the school so she would not win the ribbon.  But while the judges were chastising the new girl about not having her project, the guilt gets to Lisa much the way the beating heart weighs in on the killer in The Tell Tale Heart.  Consequently, Lisa's diorama is the scene from TTH, complete with floorboards that pulse with the beating heart.   

The Raven as read by Vincent Price

Vincent Price has always been sufficiently creepy.  His voice over in Michael Jackson's Thriller video scared me to death when I was a kid.  So when I found a video of him reciting Poe's classic, I had to add it.  Enjoy.  :)